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training manufaktur it di Jakarta Timur

Saco-Indonesia.com - Tidak usah takut orang-orang KPK asalkan bkerja tulus iklas karena Alloh untuk memakmurkan bangsa ini sehebat apapun dukun yang akan menyerang orang-orang KPK tidak akan mampu melawan kekuatan Alloh.

Saco-Indonesia.com - Tidak usah takut orang-orang KPK asalkan bkerja tulus iklas karena Alloh untuk memakmurkan bangsa ini sehebat apapun dukun yang akan menyerang orang-orang KPK tidak akan mampu melawan kekuatan Alloh. karena orang-orang Koruptor itu jumlahnya kalah banya dengan orang-orang disakiti oleh Koruptor itu sendiri, jadi dengan banyaknya doa dari orang-orang tersakiti oleh koruptor maka santet apapun tidak akan berhasil untuk memerangi orang-orang KPK, terus berjuang tegakan hukum sesuai Quran dan Hadist. Percaya tidak percaya klenik juga berhubungan dengan Komisi Pemberantasan Korupsi ( KPK ). Sejumlah paranormal menyebut ada upaya dari pihak sakit hati menyerang pimpinan lembaga antirasuah secara gaib.

Kabar itu makin santer ketika KPK mengusut dugaan korupsi yang menjerat dinasti Gubernur Banten Ratu Atut Chosiyah . Tanpa diminta beberapa paranormal datang untuk memberikan pengamanan.

Tokoh Banten Ahmad Subadri sempat bertemu dengan Ketua KPK Abraham Samad dan Wakil Adnan Pandu Praja agar tidak terpengaruh dengan serangan gaib. Sudah menjadi rahasia umum, Banten memang diidentikkan dengan hal-hal gaib yang demikian.

"KPK mengatakan tidak khawatir. Pak Abraham, Pandu mengatakan mereka siap lahir batin untuk memberantas korupsi di Banten," ujarnya.

Berikut cerita klenik di lembaga antikorupsi:

1. Ada serangan gaib, bola api & awan hitam masuk ke KPK

Serangan balik terhadap Komisi Pemberantasan Korupsi (KPK) ternyata dilakukan juga secara gaib. Paranormal Permadi mengaku dapat melihat KPK 'dikerjai' oleh para koruptor yang memakai jasa dukun.


"KPK kalau malam ada bola api masuk, ada awan hitam masuk," kata Permadi di Gedung KPK Jalan HR Rasuna Said, Kuningan, Jakarta Selatan, Selasa (17/12).

Politikus Gerindra itu berpesan agar nyali lembaga anti korupsi tak ciut menghadapi serangan seperti itu. Pria yang dikenal gemar berpakaian hitam-hitam tersebut mengaku sudah membentengi KPK.

"Saya akan bantu KPK dengan Eyang Subur, enggak perlu takut. Saya sudah membersihkan KPK," kata mantan anggota DPR itu.

2. Santet diarahkan ke ketua dan wakil KPK

Paranormal Ki Sabdo Jagad Royo mendatangi Gedung KPK. Ki Sabdo mengaku datang ke KPK untuk memberitahu ada ancaman serius bagi para pimpinan KPK. Apa ancaman yang dimaksud Ki Sabdo?


"Ya banyak pokoknya. Dan itu dilakukan dengan cara-cara gaib yang tidak terlihat," imbuh paranormal asal Surabaya itu.

Saat ditanya siapa yang mengirimkan santet kepada pimpinan KPK tersebut, Ki Sabdo enggan menyebutkan secara detail. Menurutnya pihak-pihak yang saat ini ini sedang diendus korupsinya tidak senang dan akan menyantet para pimpinan KPK.

"Saya ingatkan kepada Ketua KPK dan wakilnya ada ancaman serius. Bahkan mengarah ke nyawa anda," ujar Ki Sabdo.

3. Ditemukan kantong plastik hitam isi kulit kayu

Gundukan tanah tidak wajar ditemukan di halaman KPK oleh petugas keamanan. Setelah digali ditemukan benda berupa bungkusan kantong plastik hitam berisikan kulit kayu berbau wangi kembang.


Selain itu ditemukan juga bungkus balsem dalam plastik putih. Benda-benda itu diduga sengaja dikirim oleh pihak bermasalah secara gaib dengan keperluan jahat seperti santet.

"Awalnya penjaga melihat ada gundukan tanah yang tidak wajar di halaman KPK, ketika digali kami menemukan benda tersebut," terang Juru Bicara KPK Johan Budi.

4. Anak buah hakim mau santet KPK

Hakim Agung Andi Abu Ayub Saleh mengungkapkan anak buahnya berencana mengirim teluh alias santet ke Komisi Pemberantasan Korupsi (KPK). Menurut dia, anak buahnya, Suprapto, ingin melakukan itu karena takut ditangkap.


"Dia (Suprapto) bilang mau santet Mario, Djodi, KPK. Saya bilang, 'Mana bisa kau santet KPK'. KPK itu gedung," kata Andi.

Hal itu disampaikan Mario saat bersaksi dalam persidangan terdakwa kasus dugaan suap pengurusan kasasi perkara Hutomo Wijaya Ongowarsito di Mahkamah Agung dengan terdakwa Mario Cornelio Bernardo.

5. Serpihan garam di halaman KPK

Suatu hari para penjaga di Gedung KPK dikejutkan dengan berserakannya garam di halaman. Juru Bicara KPK Johan budi mengatakan hal tersebut memang sudah berulang kali terjadi.

"Ini bukan pertama kali kami menemukan benda-benda aneh di area gedung KPK," kata Johan.

 

Editor : Liwon Maulana

Sumber : Merdeka.com

Tersenyumlah dalam mengawali hari, karena itu menandakan bahwa kamu siap menghadapi hari dengan penuh semangat! http://goog

Tersenyumlah dalam mengawali hari, karena itu menandakan bahwa kamu siap menghadapi hari dengan penuh semangat!

http://google.com/search?q=desain+andree
Sesulit apapun masalah yang kita hadapi, ia harus diselesaikan, bukan dihindari.


Tegas akan diri sendiri, buang pikiran negatif dan lakukan yang baik. Kegelisahan hanya milik mereka yang putus asa.


Ketika kamu berharap yang terbaik tapi kamu hanya mendapat yg biasa, bersyukurlah kamu bukan yg terburuk.


Hal yang paling sulit adalah mengalahkan diri sendiri, Tapi itu bisa kamu mulai dengan memaafkan diri sendiri.


Sahabat adalah seseorang yg selalu membuat hatimu bahagia. Sahabat selalu membuat hidup jauh lebih menyenangkan.


Terkadang, yang diinginkan sebenarnya tidak dibutuhkan, sedangkan yang dibutuhkan tidak bisa dimiliki. Tapi Tuhan, tahu apa yang terbaik.


Maafkan diri sendiri. Jangan menyesali kesalahan. Maaf itu mengobati hati dan mendamaikan diri.


Jangan pernah iri dengan apa yg orang lain miliki, Setiap orang punya masalahnya sendiri, bersyukurlah untuk hidup ini.
untuk baca selengkap nya klik di sini

Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

Photo
 
Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

The bottle Mr. Sokolin famously broke was a 1787 Château Margaux, which was said to have belonged to Thomas Jefferson. Mr. Sokolin had been hoping to sell it for $519,750.

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