Kursus/ Training/ Workshop/ Balai latih/ Konsultan/ Pelatihan/ Seminar mesin CNC Milling / Mesin Bubut & CAD/CAM di Bandung, Jakarta, Tangerang, Surabaya, Bekasi, Bogor, Depok.

pelatihan pemrograman cnc di Cimahi Kami Tenaga ahli yang berpengalaman lebih dari 10 Tahun yang bergerak dalam bidang pelatihan mengoperasikan dan memprogram mesin CNC Milling. Spesial diskon untuk Paket Perusahaan / Instansi, Paket Perguruan Tinggi dan Paket Sekolah/Guru/Siswa yang ingin bekerjasama Hubungi Tim Marketing kami : 085711904807 (Seminar, Workshop, Projek, dll. *Office : LKP SINDO (Lembaga Kursus dan Pelatihan Sinergi Indonesia) Jl. Ters. Cisokan Dalam No. 21 Bandung *Workshop : PT. Tekmindo (Teknologi Manufaktur Indonesia) Bandung pelatihan pemrograman cnc di Cimahi

pelatihan pemrograman cnc di Cimahi Mesin CNC sekarang banyak digunakan dalam industri permesinan pelatihan pemrograman cnc di Cimahi untuk memproduksi komponen dengan tingkat kerumitan dan presisi yang tinggi. Selain itu, mesin CNC mempunyai konsistensi yang lebih efektif untuk pengerjaan dalam jumlah banyak. Penggunaan mesin konvensional dalam proses pemotongan, pengeboran dan proses permesinan lainnya, tentu saja memberikan hasil yang tidak presisi dan memerlukan waktu cukup lama dikarenakan hasil produksi akan tergantung dari kemampuan operator dalam melakukan proses tersebut. Banyak produk-produk yang dihasilkan dengan mesin CNC ini, mulai dari peralatan rumah tangga, pelatihan pemrograman cnc di Cimahi kendaraan bermotor sampai pesawat terbang sekalipun menggunakan teknologi ini. pelatihan pemrograman cnc di Cimahi

pelatihan pemrograman cnc di Cimahi

saco-indonesia.com, Polda Metro Jaya akan menggelar simulasi pengamanan Pemilu di depan kantor Badan Pengawasan Pemilu (Bawaslu)

saco-indonesia.com, Polda Metro Jaya akan menggelar simulasi pengamanan Pemilu di depan kantor Badan Pengawasan Pemilu (Bawaslu), Jalan MH. Thamrin, Jakarta Pusat, Jumat (7/2) esok. Simulasi juga akan digelar mulai pukul 08.00 WIB hingga sekitar pukul 11.00 WIB.

Direktur Lalu Lintas Polda Metro Jaya Kombes R. Nurhadi Yuwono juga menegaskan dengan digelarnya simulasi tersebut tidak serta merta polisi akan melakukan penutupan jalan di depan kantor Bawaslu.

"Simulasi pengamanan Pemilu bukan penutupan," ujar Nurhadi di Mapolda Metro Jaya, Kamis (6/1).

Simulasi tersebut, lanjut Nurhadi, juga merupakan gladi di lapangan. "Di sana nantinya juga akan dibuat skenario cerita bahwa ada massa pengunjuk rasa yang protes terhadap keputusan Bawaslu," terang Nurhadi.

Nurhadi juga menuturkan pihaknya juga telah menyiapkan rekayasa lalu lintas apabila nantinya massa yang berunjuk rasa sudah mulai anarkis.

"Jika massa sudah mulai anarkis, kita juga akan lakukan contra flow tepat di depan Hotel Nikko kemudian dialihkan ke jalur sebelahnya lalu lurus sampai setelah depan kantor Bawaslu," terangnya.

Alternatif lain, lanjut Nurhadi, jika telah terjadi penumpukan kendaraan di ruas jalan MH. Thamrin, Jakarta Pusat, maka polisi lalu lintas juga akan mengurai sejumlah kendaraan ke beberapa jalan alternatif.

"Sementara kita urai saja dan kita kurangi volume kendaraannya," tambah Nurhadi.

Rekayasa arus lalu lintas tersebut dibuat untuk dapat menjaga depan kantor Bawaslu tetap steril. "Jika massa anarkis, depan Bawaslu harus clear. Jangan sampai ada mobil atau motor yang lewat disitu. Soalnya nanti kan ada mobil water canon seperti demo-demo biasa gitu," pungkasnya.

Rekayasa contra flow besok akan dimulai pukul 10.00 WIB hingga pukul 10.30 WIB.


Editor : Dian Sukmawati

saco-indonesia.com, Badan Narkotika Nasional Provinsi (BNNP) Jambi telah berhasil menyita 700 butir pil yang diduga ekstasi dan

saco-indonesia.com, Badan Narkotika Nasional Provinsi (BNNP) Jambi telah berhasil menyita 700 butir pil yang diduga ekstasi dan tiga paket sabu dari tangan Jumali alias Wak Boy yang berusia (52) tahun . Wak Boy telah ditangkap Senin (6/1) sekitar pukul 15.00 WIB, dari tempatnya bekerja di RT 10 Solok Sipin.

"Wak Boy adalah seorang buruh bangunan yang beralamatkan di RT 02 Solok Sipin, Kecamatan Telanaipura, Kota Jambi," kata Kabid Pemberantasan BNNP Jambi, AKBP Hairul Sulahudin seperti dilansir Antara, Rabu (8/1).

Sementara itu untuk barang bukti pil yang diduga ekstasi dan serta sabu, telah ditemukan dari dua lokasi berbeda. Untuk tiga paket sabu yang ditemukan dalam lubang yang ada di pintu di tempat Wak Boy bekerja.

"Sementara itu 700 butir pil warna kuning logo P yang diduga ekstasi, telah ditemukan di dekat kandang ayam di rumah tersangka," kata Hairul.

Penangkapan terhadap Wak Boy bermula dari adanya informasi yang telah diterima oleh Tim Tindak Pengejaran BNNP Jambi, bahwa di lokasi penangkapan sering terjadi transaksi narkoba. Menindaklanjuti informasi tersebut, tim dari BNNP Jambi langsung melakukan penyelidikan dan setelah meyakini bahwa Wak Boy adalah target utama.

"Tersangka kita tangkap saat sedang bekerja," kata Hairul.

Saat ini pihaknya juga masih melakukan pemeriksaan intensif terhadap Wak Boy yang dikenakan pasal 114 ayat (1) dan pasal 112 ayat (1) Undang-Undang Nomor 35 tahun 2009 tentang Narkotika. Selain barang bukti narkotika, lanjut Hairul, pihaknya juga berhasil mengamankan uang tunai jutaan rupiah.


Editor : Dian Sukmawati

WASHINGTON — During a training course on defending against knife attacks, a young Salt Lake City police officer asked a question: “How close can somebody get to me before I’m justified in using deadly force?”

Dennis Tueller, the instructor in that class more than three decades ago, decided to find out. In the fall of 1982, he performed a rudimentary series of tests and concluded that an armed attacker who bolted toward an officer could clear 21 feet in the time it took most officers to draw, aim and fire their weapon.

The next spring, Mr. Tueller published his findings in SWAT magazine and transformed police training in the United States. The “21-foot rule” became dogma. It has been taught in police academies around the country, accepted by courts and cited by officers to justify countless shootings, including recent episodes involving a homeless woodcarver in Seattle and a schizophrenic woman in San Francisco.

Now, amid the largest national debate over policing since the 1991 beating of Rodney King in Los Angeles, a small but vocal set of law enforcement officials are calling for a rethinking of the 21-foot rule and other axioms that have emphasized how to use force, not how to avoid it. Several big-city police departments are already re-examining when officers should chase people or draw their guns and when they should back away, wait or try to defuse the situation

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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