Kursus/ Training/ Workshop/ Balai latih/ Konsultan/ Pelatihan/ Seminar mesin CNC Milling / Mesin Bubut & CAD/CAM di Bandung, Jakarta, Tangerang, Surabaya, Bekasi, Bogor, Depok.

belajar mesinbubut di Bogor Kami Tenaga ahli yang berpengalaman lebih dari 10 Tahun yang bergerak dalam bidang pelatihan mengoperasikan dan memprogram mesin CNC Milling. Spesial diskon untuk Paket Perusahaan / Instansi, Paket Perguruan Tinggi dan Paket Sekolah/Guru/Siswa yang ingin bekerjasama Hubungi Tim Marketing kami : 085711904807 (Seminar, Workshop, Projek, dll. *Office : LKP SINDO (Lembaga Kursus dan Pelatihan Sinergi Indonesia) Jl. Ters. Cisokan Dalam No. 21 Bandung *Workshop : PT. Tekmindo (Teknologi Manufaktur Indonesia) Bandung belajar mesinbubut di Bogor

belajar mesinbubut di Bogor Mesin CNC sekarang banyak digunakan dalam industri permesinan belajar mesinbubut di Bogor untuk memproduksi komponen dengan tingkat kerumitan dan presisi yang tinggi. Selain itu, mesin CNC mempunyai konsistensi yang lebih efektif untuk pengerjaan dalam jumlah banyak. Penggunaan mesin konvensional dalam proses pemotongan, pengeboran dan proses permesinan lainnya, tentu saja memberikan hasil yang tidak presisi dan memerlukan waktu cukup lama dikarenakan hasil produksi akan tergantung dari kemampuan operator dalam melakukan proses tersebut. Banyak produk-produk yang dihasilkan dengan mesin CNC ini, mulai dari peralatan rumah tangga, belajar mesinbubut di Bogor kendaraan bermotor sampai pesawat terbang sekalipun menggunakan teknologi ini. belajar mesinbubut di Bogor

belajar mesinbubut di Bogor

Haji adalah ibadah wajib bagi umat Islam yang mampu melaksanakannya, baik mampu secara fisik,mental, maupun finansial. Menuru

Haji adalah ibadah wajib bagi umat Islam yang mampu melaksanakannya, baik mampu secara fisik,mental, maupun finansial.

Menurut para ulama, kewajiban menunaikan ibadah haji dan umrah diterima oleh Rasulullah SAW pada tahun 6 Hijriah/628 Masehi. Untuk menjalankan perintah Allah SWT tersebut, pada tanggai 6 Dzulqa’dah tahun 6 Hijriah, Rasulullah SAW bersama 1.500 pengikutnya bertolak menuju Makkah untuk melaksanakan umrah.

Namun, di tengah perjalanan tepatnya di daerah Hudaibiyah yang berjarak sekitar sembilan mil dari Makkah, mereka dicegat oleh orang- orang kafir. Menghindari pertumpahan darah, kaum muslimin bersedia melakukan perundingan dengan orang-orang kafir.

Dalam perundingan itu, sebuah kesepakatan yang kemudian dikenal dengan Perjanjian Hudaibiyah diteken oleh kedua belah pihak. Salah satu butir dalam isi perjanjian tersebut adalah bahwa kaum muslim tidak diperkenankan melaksanakan ibadah haji tahun itu. Mereka baru diizinkan pada tahun berikutnya, itu pun hanya dalam waktu tiga hari.

Sebelum Rasulullah SAW melakukan ibadah haji, konon beliau sudah pernah melakukan umrah sebanyak empat kali. Demikian diriwayatkan dari Aisyah, Ibnu Umar, dan Anas bin Malik. Umrah pertama dilakukan pada tahun 6 Hijriah/628 Masehi atau dikenal dengan umrah Hudaibiyah.

Umrah kedua dilakukan pada tahun berikutnya, umrah ketiga pada bulan Dzulqa’dah tahun yang sama, dan umrah keempat ketika beliau mengerjakan ibadah haji.

Selain riwayat dari tiga tokoh di atas, ada banyak informasi lain tentang berapa kali Rasulullah SAW menunaikan ibadah. Namun dari berbagai informasi tersebut, pendapat paling sahih menyatakan bahwa Nabi hanya melakukan umrah sebanyak tiga kali.

Umrah pertama dilaksanakan pada tahun 7 Hijriah/629 Masehi, umrah kedua dilakukan pada tahun 8 Hijriah/630 Masehi dan dikenal dengan umrah Dzulqa’dah atau umrah Ji’ranah, dan umrah ketiga terjadi pada tahun 10 Hijriah/632 Masehi, yaitu ketika Nabi mengerjakan Haji Wada’.

Manasik haji yang dikenalkan oleh Rasulullah SAW adalah penyempurna dari manasik haji para nabi sebelumnya, termasuk manasik haji Nabi Ibrahim AS.

Manasik haji yang dikenalkan oleh Rasulullah SAW dapat diuraikan dalam urutan, yaitu: ihram; thawaf; shalat dua rakaat di Maqam Ibrahim; sa’i (berlari-lari kecil) antara bukit Shafa dan Marwah; wukuf di Padang Arafah; bermalam di Muzdalifah; melempar Jumrah Aqabah; menyembelih binatang kurban; melaksanakan thawaf ifadhah; tahallul atau bercukur; mabit atau menginap di Mina; melempar tiga jumrah pada Hari Tasyriq (tanggai 11, 12, dan 13 Dzulhijjah); dan melakukan tawaf wada’ atau tawaf perpisahan.

Sewaktu mengerjakan Haji Wada’ atau haji terakhir, Rasulullah SAW berpesan agar umat Islam mengikuti manasik atau tata cara haji yang beliau contohkan. Manasik haji tidak boleh dimodifikasi sebab ditetapkan secara langsung melalui wahyu Allah SWT.

Demikianlah ritual haji yang disyariatkan kepada Nabi Adam AS, Nabi Ibrahim AS, hingga Nabi Muhammad SAW. Setiap ritual haji yang diturunkan kepada nabi-nabi tersebut mengalami penyempurnaan dan pembersihan dari segala macam pencemaran.

Sumber : http://www.jurnalhaji.com

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saco-indonesia.com, Apabila sekarang ini mayoritas perangkat mobile telah menggunakan produk dari Corning yaitu Gorilla Glass, a

saco-indonesia.com, Apabila sekarang ini mayoritas perangkat mobile telah menggunakan produk dari Corning yaitu Gorilla Glass, ada pula rumor bahwa akan dibuatnya layar berbahan safir. Kali ini muncul berita serupa yaitu layar berbahan kulit kerang.

Para peneliti dari McGill University, Kanada, ingin mencoba mengembangkan sebuah layar yang tahan banting dan benturan. Para peneliti tersebut telah terinspirasi dari kekuatan kerang.

Dikutip dari Cnet (30/01), para peneliti tersebut juga menjelaskan, "Kerang moluska telah memiliki lapisan luar yang boleh terbilang rapuh, namun apabila jika dibandingkan dengan bagian dalamnya, maka sangat berbeda, karena sangat kuat."

Oleh karena itu, para peneliti yang telah dipimpin oleh Profesor Francois Barthelat itu ingin mencoba meneliti dan meniru lapisan demi lapisan termasuk juga jaringan yang terdapat pada kerang untuk dapat diaplikasikan ke sebuah layar anti-bentur.

Barthelat juga berharap nantinya apabila penelitian yang dia lakukan bersama tim-nya itu akan berhasil, maka tidak hanya di perangkat mobile saja , penemuannya itu dapat juga digunakan di banyak hal.


Editor : Dian Sukmawati

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Many bodies prepared for cremation last week in Kathmandu were of young men from Gongabu, a common stopover for Nepali migrant workers headed overseas. Credit Daniel Berehulak for The New York Times

KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.

Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.

“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”

Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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