Info Tempat Kursus Mesin CNC Murah di Pasirwangi Bandung Hubungi : 085711904807 Kami Tenaga ahli yang berpengalaman lebih dari 10 Tahun yang bergerak dalam bidang pelatihan mengoperasikan dan memprogram mesin CNC Milling. Spesial diskon untuk Paket Perusahaan / Instansi, Paket Perguruan Tinggi dan Paket Sekolah/Guru/Siswa yang ingin bekerjasama Hubungi Tim Marketing kami : 085711904807 (Seminar, Workshop, Projek, dll. *Office : LKP SINDO (Lembaga Kursus dan Pelatihan Sinergi Indonesia) Jl. Ters. Cisokan Dalam No. 21 Bandung *Workshop : PT. Tekmindo (Teknologi Manufaktur Indonesia) Bandung

Info Tempat Kursus Mesin CNC Murah di Pasirwangi Bandung Mesin CNC sekarang banyak digunakan dalam industri permesinan kursus mesin cnc di Bekasi untuk memproduksi komponen dengan tingkat kerumitan dan presisi yang tinggi. Selain itu, mesin CNC mempunyai konsistensi yang lebih efektif untuk pengerjaan dalam jumlah banyak. Penggunaan mesin konvensional dalam proses pemotongan, pengeboran dan proses permesinan lainnya, tentu saja memberikan hasil yang tidak presisi dan memerlukan waktu cukup lama dikarenakan hasil produksi akan tergantung dari kemampuan operator dalam melakukan proses tersebut. Banyak produk-produk yang dihasilkan dengan mesin CNC ini, mulai dari peralatan rumah tangga,kendaraan bermotor sampai pesawat terbang sekalipun menggunakan teknologi ini Info Tempat Kursus Mesin CNC Murah di Pasirwangi Bandung

Info Tempat Kursus Mesin CNC Murah di Pasirwangi Bandung

TATA CARA PELAKSANAAN UMROH. 1. Jika seseorang akan melaksanakan UMROH disunnahkan untuk mandi besar (janabah) terlebih dahul


TATA CARA PELAKSANAAN UMROH.
1. Jika seseorang akan melaksanakan UMROH disunnahkan untuk mandi besar (janabah) terlebih dahulu, memakai wangi-wangian (jika ada) dan memakai pakaian ihram.
2. Tata cara memakai pakaian ihram. Untuk laki-laki berupa dua lembar kain ihram yang dijadikan sarung dan selendang, Sedangkan untuk wanita memakai pakaian yang telah di’isyaratkan untuk menutupi aurot, tidak ada hiasan dan tidak diperbolehkan memakai sarung tangan.
3. Niat untuk melaksanakan umrah dalam hati dan mengucapkan labbaikallahumma bi'umrotin atau labbaika'umrotan. dan setelah itu bertalbiyah suaranya di keraskan bagi laki-laki, dan dengan suara cukup yang bisa di dengar orang yang berada di sampingnya bagi wanita, dengan mengucapkan labbaikallahumma labbaika laa syarika laka labbaik. innal hamda wan ni'mata laka wal mulk laa syarika laka.

4. Jika sudah sampai di kota MAKKAH, maka disunnahkan untukmandi terlebih dahulu sebelum masuk.
5. Sesampai di ka’bah,masuk ke masjidil haram dengan mendahulukan kaki kanan dan membaca doa masuk masjid : “Allahumaf-tahlii abwaba rohmatik.”
6. Menuju ke hajar aswad sambil menyentuhnya dengan tangan kanan dan menciumnya bila mampu dengan mengucapkan Bismillahi wallahu akbar. Jika tidak bisa menyentuh atau menciumnya maka cukup memberi isyarat dan berkata Allahu Akbar.
7. Thawah UMROH  sebanyak 7 putaran. Disunnahkan berlari-lari kecil pada 3 putaran pertama dan berjalan biasa di 4 putaran terakhir, yang dimulai dari hajar aswad dan diakhiri di hajar aswad juga.
8. Ketika berada di antara rukun yamani dan hajar aswad disunnahkan membaca : “Robbana atina fiddunya hasanah, wa fill akhiroti hasanah wa qinaadzaban naar.”
9. Setelah melakukan thawaf , kemudian menutup kedua pundaknya lalu menuju makam nabi ibrahim dan sambil membaca “Wattakhodzu mim maqoomi ibrohima musholla.”
10. Shalat sunnah dua raka’at di belakang makam nabi ibrahim. Pada rakaat pertama setelah membaca Al Fatihah kemudian dilanjutkan dengan membaca surat Al-Kafirun, dan pada rakaat kedua setelah membaca surat Al Fatihah kemudian di lanjutkan surat Al Ikhlas.
11. Kemudian, menuju ke bukit shafa untuk melaksanakan sa’i UMROH dan setelah mendekati shafa dianjurkan untuk membaca :” Innash shafaa wal marwatamin sya’aririllah” lalu mengucapkan “Nabda u bimaa bada allah bih”. Kemudian bertakbir 3 kali tanpa isyarat dan mengucapkan Laa ilaha illallahu wahdahu laa syarika lahu. Lahul mulku wa lahul hamdu wahuwa 'alaa kulli syai'in qodir. Laa ilaha illallahu wahdahu anjaza wa'dahu wa shodaqo 'abdahu wa hazamal ahzaaba wahdahu 3x. Kemudian berdoa.
12. Kembali turun adri shafa menuju MARWAH. Disunnahkan berlari-lari kecil di antara dua tanda lampu hijau yang baeda di mas’a (tempat sa’i) bagi laki-laki, dan berjalan biasa menuju menaiki MARWAH .
13. Sesampai di MARWAH kerjakanlah seperti yang dikerjakan di shafa, yaitu dengan menghadap kiblat, bertakbir, membaca dzikir Laa ilaha illallahu wahdahu laa syarika lahu. Lahul mulku wa lahul hamdu wahuwa 'alaa kulli syai'in qodir. Laa ilaha illallahu wahdahu anjaza wa'dahu wa shodaqo 'abdahu wa hazamal ahzaaba wahdahu 3x, dan berdoa apa yang dikehendaki.
14. Kemudian turun menuju ke shafa dengan berjalan di tempat yang sudah di tentukan dan berlari bagi laki-laki di tempat yang sudah di tentukan, kemudian naik ke shafa dan lakukan seperti semula. Lakukan hal ini sebanyak tujuh kali dan dengan berakhir di MARWAH.
15. Setelah sa’i , maka bertahallul dengan mencukur seluruh atau sebagian rambut kepala bagi laki-laki, tetapi lebih afdhal apabila di cukur gundul. Dan bagi wanita cukup memotong rambutnya sebatas ujung jari.
16. Setelah mencukur rambut, maka berakhirlah sudah ibadah UMROH yang dilaksanakan, dan telah diperbolehkan untuk mengerjakan hal-hal yang tadinya dilarang ketika dalam keadaan ihram.
 

saco-indonesia.com, Duet penyerang lokal-asing, Elthon Maran dan Pape Ndiaye telah menjadi tumpuan Persegres kala dalam meladeni

saco-indonesia.com, Duet penyerang lokal-asing, Elthon Maran dan Pape Ndiaye telah menjadi tumpuan Persegres kala dalam meladeni perlawanan tim Malaysia Super League (MSL), Terengganu FA, Senin (30/1) sore ini di Stadion Petrokimia Gresik.

Dalam daftar susunan pemain kedua tim, pelatih Agus Yuwono juga masih mempercayakan posisi penjaga gawang utama kepada Hery Prasetya. Tak diperkuat Otavio Dutra membuat Agus telah memilih menduetkan Aries Tuansyah dengan Makhrus Bachtiar.

Sementara kapten tim Mahyadi Panggabean dan Iqbal Samad beroperasi sebagai fullback. Masuk ke lini tengah Fajar Handika dipercaya sebagai gelandang bertahan dengan Shohei Matsunaga sebagai gelandang serang. Duo sayap adalah Reza Mustofa dan Jimmy Suparno.

Memakai formasi 4-4-2, Persegres telah menurunkan duet Elthon Maran dan Pape Ndiaye di barisan depan. Dari kubu tim Terengganu FA, pelatih Abdul Rahman Ibrahim telah menurunkan komposisi pemain dengan formasi 3-4-3.

Sharbinee Allawee telah mengisi posisi penjaga gawang. Tiga pemain di lini belakang adalah Hasmizan Kamarodin Ahmad Azlan Zainal dan Nasril Izzat Jalil. Barisan tengah diisi oleh Nor Farhan Muhammad, Khairul Ramadhan Zauwawi, Ahmad Nordin Alias dan kapten Zairo Anuar Zalani.

Untuk dapat membongkar pertahanan Persegres, Terengganu telah memainkan trisula Marcio Souza, Mamadou Hady Barry dan Ashaari Shamsuddin.

Susunan Pemain Persegres vs Terengganu FA

Persegres:
Hery Praserta; Aries Tuansyah, Makhrus Bachtiar, Mahyadi Panggabean (c), Iqbal Samad; Fajar Handika, Shohei Matsunaga, Reza Mustofa, Jimmy Suparno; Elthon Maran, Pape Ndiaye

Cadangan: Sukasto Effendi, Sandy Firmansyah, Dedi Indra, David Faristian, Legimin Raharjo, Lan Bastian, Ryan Putra, Eljo Iba, Handi Ramdhan
Pelatih: Agus Yuwono

Terengganu FA:
Sharbinee Allawee; Hasmizan Kamarodin, Ahmad Azlan Zainal, Nasril Izzat Jalil; Nor Farhan Muhammad, Khairul Ramadhan Zauwawi, Ahmad Nordin Alias, Zairo Anuar Zalani; Marcio Souza, Mamadou Hady Barry, Ashaari Shamsuddin
Pelatih: Abdul Rahman Ibrahim


Editor : Dian Sukmawati

Gagne wrestled professionally from the late 1940s until the 1980s and was a transitional figure between the early 20th century barnstormers and the steroidal sideshows of today

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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